A Rose Between Thorns Isaiah 50:4-9, Mark 14:1-11
In the thirteenth chapter of Mark, Jesus pronounces the final judgment
on the Jewish temple and the religious and political institutions of his day.
Though the storm clouds of conspiracy against him have been gathering for awhile,
as the fourteenth chapter of Mark opens, the bottom is about to fall out.
As the fourteenth chapter opens, the conspiracy against Jesus is full speed ahead.
The powerful temple elite have had enough of the Galilean whistle-blower
and are clear in their minds that they need to take him down,
they’re just not sure when they can do it and maintain maximum deniability.
They put out feelers, looking for an inside plant,
someone they can buy off who will provide the intelligence they need
to accomplish their end goal as efficiently as possible.
Judas gets wind and for reasons much debated but ultimately unknown
he volunteers to add his betrayal to their conspiracy.
If you were an artist, how would you paint Judas and the Chief Priests and Scribes
as they stand there negotiating their deal?
I think I would paint a distorted, angular, two-dimensional scene
all hard edges and harsh colors.
The faces would be blank or at least so dark as to be indistinguishable,
the shoulders hunched inward, the hands like claws… grasping…threatening….
Mark’s 14th chapter reminds us that, to some, the world IS two-dimensional -
harsh, unforgiving, calculating and cold.
It’s a view of the world that has no room for a decorative flourish
and no palette for emotional embellishment.
This two-dimensional, 14th-chapter-of-Mark perspective is, above all, mechanical.
It’s a mechanical way of viewing the world,
in which people are NOT individuals with wonderfully unique characteristics.
They’re stick figures, clones, automatons -
useful only as functioning cogs in a giant, impersonal wheel.
There’s no room for mystery in this mechanical view.
There’s no room for fantasy, or imagination, or unexpected grace.
It’s funny, people who have this view of the world can seem, on the surface,
to be very different.
On the one hand, some can be highly ideological,
fully and single-mindedly committed to the most noble of goals.
On the other hand, they can be highly cynical,
driven only by a lust for power or wealth no matter the consequences to others.
One thing they’re not is PATIENT with anyone who doesn’t see things their way.
It was this mechanical view of life that brought the Chief Priests and Judas together.
They started out on different sides of the fence,
but they adamantly agreed on one thing and it gave them a common cause.
They agreed that Jesus did not share their world-view.
Where they saw black and white, he saw the full spectrum of the rainbow.
Where they saw a rigid blueprint, a closed system full of “shoulds” and “oughts,”
Jesus saw the abundant, open-ended, mysterious power of God at work
not as a watch-maker but as an artist;
not as a puppet-master but as a lover.
The beauty of Mark’s gospel is that no matter how dark and two-dimensional it gets
as conspirators conspire and betrayers betray,
there are the occasional characters and vignettes Mark inserts to remind us
that the mechanistic view of the world is not the only way of seeing things.
In his characteristic style,
between the two gray, ugly scenarios
of the Chief Priests plotting and Judas turning traitor
Mark sticks in a scene of uncommon beauty and grace.
Between the two thorns of nasty intrigue and double-crossing
Mark inserts the rose of the unidentified woman and her alabaster jar of costly nard.
It’s a remarkable scene.
It looks at first as though Mark is just giving his reader a break from the action
inserting a little domestic relief from the political intrigue as things are heating up.
It IS a relief for some, a reminder of the deep devotion Jesus can inspire,
a gentle, beautiful touch to counteract what is about to get really ugly.
It’s a relief for some, but for others it is an indictment.
For some followers of Jesus in Mark’s community
who had heard the stories of Jesus’ betrayal and arrest for forty years
and had reveled in their hatred for Judas and the Chief Priests
suddenly there is this story of the woman with the costly perfume
that points the finger NOT at the bad guys but at them.
Suddenly this innocent story doesn’t seem quite so innocent after all.
It’s enough simply to realize that the setting of the story is the house of a leper,
a social outcast, and the protagonist of the story is a woman,
not a big step above a leper in Jewish society.
Mark is definitely up to something!
The woman is clearly a woman of wealth and, against all proper social custom,
she approaches Jesus, breaks a jar of expensive perfume
and begins to anoint his head.
The perfume is not just expensive. It costs the equivalent of a year’s wages,
which, this day and time, would be about $20,000.
And if she had put it on his feet that would be one thing
but on his HEAD – that was something else altogether.
Everyone in that room likely believed or suspected
that Jesus was the Messiah, the new King of Israel
who would lead his people to reclaim past glory.
What do you do to a new king in Jewish tradition, you anoint his head.
Who does the anointing? A holy prophet of God, NOT A WOMAN!!!
To everyone’s surprise, Jesus doesn’t get offended by her brashness.
He doesn’t grab her arm and push her away.
He commends her! He commends her for anointing his body for burial.
Again with the death talk!
It was clear to those who knew the story of Jesus’ betrayal and arrest
that Judas and the Chief Priests were outsiders;
that they didn’t understand Jesus
that they were blind and deaf to what God was doing through Jesus.
But then suddenly, in this story of the woman with the costly perfume,
Mark breaks the news that even the insiders were outsiders.
In this seemingly innocuous story, Mark is telling his readers
that it isn’t enough to be a committed follower of Jesus
if you still have that two-dimensional, mechanical view of the world
with a closed system, and a rigid blueprint filled with “shoulds” and “oughts.”
It’s not enough just to say the right words or even champion the right causes
if there is no room in your world-view for the mystery of God or for unexpected grace.
When the woman broke the jar, some In the room ridiculed her for being so wasteful
when such fine perfume could have been sold and the money given to the poor.
It didn’t seem to occur to these advocates for the poor
that the woman had just given Jesus a gift worth $20,000!
She COULD have sold the perfume and bought herself a new donkey
and a month’s vacation in Morocco. But she didn’t.
She didn’t because her view of the world was anything but mechanical.
The woman with the costly perfume understood
that Jesus’ is about more than economic efficiency.
She understood that life is not a system of pistons and gears
but a complex organic web of relationships
that it doesn’t necessarily follow a set of instructions
where part A connects to part B and only to part B.
Back in the 1960’s psychologist Abraham Maslow proposed a very mechanistic view
that identified what he called a hierarchy of needs.
Maslow predicted that people will attend to their physical needs before anything else;
that they will look first for food, then for safety, and only then to social needs.
But somehow Dr. Maslow failed to consider those Catholics in Nazi Germany
who were willing to risk even their own lives to hide Jewish neighbors.
He failed to consider prisoners of war
who willingly gave food to starving comrades when they themselves were starving.
He even failed to think about old Vincent van Gogh
who lived in abject poverty with no critical acclaim during his lifetime
because of his overpowering need to try to capture the beauty he saw around him.
A mechanical view of the world isn’t always bad.
On most days you can get along quite well thinking that part A connects to part B
and only to part B.
The main problem, though, is that when people are no more than a sum of their parts
and experiences are not to be enjoyed on their own merit
but simply to be predicted, managed, and manipulated
there is no room for grace.
There’s not even the capacity to know grace when you see it.
In a mechanical view of the world all issues have only two sides – right or wrong.
You argue until you win no matter how long it takes.
If you just CAN’T win, you leave.
An organic view, however, acknowledges that two different points of view
might both be right, and both wrong,
and the gracious thing to do is to agree to disagree
and hold the opposing opinions in tension, hanging in there together,
until you find a more excellent way.
In a mechanical view of the world, you operate from a perspective of scarcity.
There is only just enough to go around,
and the key is to find the one right procedure to follow
that will maximize efficiency and eliminate waste.
An organic view, however, operates from a perspective of abundance.
There is plenty to share and the only reason we don’t all have enough of what we need
is because some people, in their fear, begin to horde things.
Furthermore, sometimes a extravagant gesture is just what we need
to remind us that God has prepared us a table and our cup overflows.
The woman came to Jesus and broke the jar of expensive perfume
anointing his head and filling the room with fragrance.
She did it to remind those in the room, to remind us all,
that even though the storm clouds gather and the bottom falls out
the forces of darkness, the proponents of a limited, mechanical view of the world
do not have the final say.
In a most gracious act of devotion she anointed his body for burial
signifying that even a cross, a most efficient manner of execution,
isn’t where the story ends.
on the Jewish temple and the religious and political institutions of his day.
Though the storm clouds of conspiracy against him have been gathering for awhile,
as the fourteenth chapter of Mark opens, the bottom is about to fall out.
As the fourteenth chapter opens, the conspiracy against Jesus is full speed ahead.
The powerful temple elite have had enough of the Galilean whistle-blower
and are clear in their minds that they need to take him down,
they’re just not sure when they can do it and maintain maximum deniability.
They put out feelers, looking for an inside plant,
someone they can buy off who will provide the intelligence they need
to accomplish their end goal as efficiently as possible.
Judas gets wind and for reasons much debated but ultimately unknown
he volunteers to add his betrayal to their conspiracy.
If you were an artist, how would you paint Judas and the Chief Priests and Scribes
as they stand there negotiating their deal?
I think I would paint a distorted, angular, two-dimensional scene
all hard edges and harsh colors.
The faces would be blank or at least so dark as to be indistinguishable,
the shoulders hunched inward, the hands like claws… grasping…threatening….
Mark’s 14th chapter reminds us that, to some, the world IS two-dimensional -
harsh, unforgiving, calculating and cold.
It’s a view of the world that has no room for a decorative flourish
and no palette for emotional embellishment.
This two-dimensional, 14th-chapter-of-Mark perspective is, above all, mechanical.
It’s a mechanical way of viewing the world,
in which people are NOT individuals with wonderfully unique characteristics.
They’re stick figures, clones, automatons -
useful only as functioning cogs in a giant, impersonal wheel.
There’s no room for mystery in this mechanical view.
There’s no room for fantasy, or imagination, or unexpected grace.
It’s funny, people who have this view of the world can seem, on the surface,
to be very different.
On the one hand, some can be highly ideological,
fully and single-mindedly committed to the most noble of goals.
On the other hand, they can be highly cynical,
driven only by a lust for power or wealth no matter the consequences to others.
One thing they’re not is PATIENT with anyone who doesn’t see things their way.
It was this mechanical view of life that brought the Chief Priests and Judas together.
They started out on different sides of the fence,
but they adamantly agreed on one thing and it gave them a common cause.
They agreed that Jesus did not share their world-view.
Where they saw black and white, he saw the full spectrum of the rainbow.
Where they saw a rigid blueprint, a closed system full of “shoulds” and “oughts,”
Jesus saw the abundant, open-ended, mysterious power of God at work
not as a watch-maker but as an artist;
not as a puppet-master but as a lover.
The beauty of Mark’s gospel is that no matter how dark and two-dimensional it gets
as conspirators conspire and betrayers betray,
there are the occasional characters and vignettes Mark inserts to remind us
that the mechanistic view of the world is not the only way of seeing things.
In his characteristic style,
between the two gray, ugly scenarios
of the Chief Priests plotting and Judas turning traitor
Mark sticks in a scene of uncommon beauty and grace.
Between the two thorns of nasty intrigue and double-crossing
Mark inserts the rose of the unidentified woman and her alabaster jar of costly nard.
It’s a remarkable scene.
It looks at first as though Mark is just giving his reader a break from the action
inserting a little domestic relief from the political intrigue as things are heating up.
It IS a relief for some, a reminder of the deep devotion Jesus can inspire,
a gentle, beautiful touch to counteract what is about to get really ugly.
It’s a relief for some, but for others it is an indictment.
For some followers of Jesus in Mark’s community
who had heard the stories of Jesus’ betrayal and arrest for forty years
and had reveled in their hatred for Judas and the Chief Priests
suddenly there is this story of the woman with the costly perfume
that points the finger NOT at the bad guys but at them.
Suddenly this innocent story doesn’t seem quite so innocent after all.
It’s enough simply to realize that the setting of the story is the house of a leper,
a social outcast, and the protagonist of the story is a woman,
not a big step above a leper in Jewish society.
Mark is definitely up to something!
The woman is clearly a woman of wealth and, against all proper social custom,
she approaches Jesus, breaks a jar of expensive perfume
and begins to anoint his head.
The perfume is not just expensive. It costs the equivalent of a year’s wages,
which, this day and time, would be about $20,000.
And if she had put it on his feet that would be one thing
but on his HEAD – that was something else altogether.
Everyone in that room likely believed or suspected
that Jesus was the Messiah, the new King of Israel
who would lead his people to reclaim past glory.
What do you do to a new king in Jewish tradition, you anoint his head.
Who does the anointing? A holy prophet of God, NOT A WOMAN!!!
To everyone’s surprise, Jesus doesn’t get offended by her brashness.
He doesn’t grab her arm and push her away.
He commends her! He commends her for anointing his body for burial.
Again with the death talk!
It was clear to those who knew the story of Jesus’ betrayal and arrest
that Judas and the Chief Priests were outsiders;
that they didn’t understand Jesus
that they were blind and deaf to what God was doing through Jesus.
But then suddenly, in this story of the woman with the costly perfume,
Mark breaks the news that even the insiders were outsiders.
In this seemingly innocuous story, Mark is telling his readers
that it isn’t enough to be a committed follower of Jesus
if you still have that two-dimensional, mechanical view of the world
with a closed system, and a rigid blueprint filled with “shoulds” and “oughts.”
It’s not enough just to say the right words or even champion the right causes
if there is no room in your world-view for the mystery of God or for unexpected grace.
When the woman broke the jar, some In the room ridiculed her for being so wasteful
when such fine perfume could have been sold and the money given to the poor.
It didn’t seem to occur to these advocates for the poor
that the woman had just given Jesus a gift worth $20,000!
She COULD have sold the perfume and bought herself a new donkey
and a month’s vacation in Morocco. But she didn’t.
She didn’t because her view of the world was anything but mechanical.
The woman with the costly perfume understood
that Jesus’ is about more than economic efficiency.
She understood that life is not a system of pistons and gears
but a complex organic web of relationships
that it doesn’t necessarily follow a set of instructions
where part A connects to part B and only to part B.
Back in the 1960’s psychologist Abraham Maslow proposed a very mechanistic view
that identified what he called a hierarchy of needs.
Maslow predicted that people will attend to their physical needs before anything else;
that they will look first for food, then for safety, and only then to social needs.
But somehow Dr. Maslow failed to consider those Catholics in Nazi Germany
who were willing to risk even their own lives to hide Jewish neighbors.
He failed to consider prisoners of war
who willingly gave food to starving comrades when they themselves were starving.
He even failed to think about old Vincent van Gogh
who lived in abject poverty with no critical acclaim during his lifetime
because of his overpowering need to try to capture the beauty he saw around him.
A mechanical view of the world isn’t always bad.
On most days you can get along quite well thinking that part A connects to part B
and only to part B.
The main problem, though, is that when people are no more than a sum of their parts
and experiences are not to be enjoyed on their own merit
but simply to be predicted, managed, and manipulated
there is no room for grace.
There’s not even the capacity to know grace when you see it.
In a mechanical view of the world all issues have only two sides – right or wrong.
You argue until you win no matter how long it takes.
If you just CAN’T win, you leave.
An organic view, however, acknowledges that two different points of view
might both be right, and both wrong,
and the gracious thing to do is to agree to disagree
and hold the opposing opinions in tension, hanging in there together,
until you find a more excellent way.
In a mechanical view of the world, you operate from a perspective of scarcity.
There is only just enough to go around,
and the key is to find the one right procedure to follow
that will maximize efficiency and eliminate waste.
An organic view, however, operates from a perspective of abundance.
There is plenty to share and the only reason we don’t all have enough of what we need
is because some people, in their fear, begin to horde things.
Furthermore, sometimes a extravagant gesture is just what we need
to remind us that God has prepared us a table and our cup overflows.
The woman came to Jesus and broke the jar of expensive perfume
anointing his head and filling the room with fragrance.
She did it to remind those in the room, to remind us all,
that even though the storm clouds gather and the bottom falls out
the forces of darkness, the proponents of a limited, mechanical view of the world
do not have the final say.
In a most gracious act of devotion she anointed his body for burial
signifying that even a cross, a most efficient manner of execution,
isn’t where the story ends.

